Available for freelance — 2026

I cut footage into stories people finish watching.

Video editor working on short-form, YouTube and brand films. Editing, colour grading and motion design — from raw rushes to a cut that holds attention.

3
years editing
550+
videos delivered
48h
typical first cut

Videos I have cut.

A selection across short-form, long-form and brand work. Tap a card to open the still and ask for the full cut.

Showing all work.

What I do

One editor for the whole post-production chain, so nothing gets lost between apps.

Short-form

Reels, TikTok and Shorts built on a hook in the first second, clean captions and a pace that survives the scroll.

  • Hook-first structure
  • Burned-in subtitles
  • Vertical 9:16 masters

Long-form & YouTube

Podcasts, interviews and vlogs cut for retention: tight openings, pattern interrupts, b-roll where the eye drifts.

  • Retention-led pacing
  • Sound design & mixing
  • Thumbnail-ready frames

Colour grading

Balanced skin tones, consistent looks across a series, and creative grades that set the mood of the piece.

  • Log & RAW workflows
  • Series-wide consistency
  • Creative looks

Motion & graphics

Kinetic type, lower thirds, logo stings and simple explainers that support the edit instead of fighting it.

  • Kinetic typography
  • Branded lower thirds
  • Logo stings

Packages

Monthly volumes for creators who post consistently. Single projects are always welcome.

Starter

For testing a format

On request

  • 5 short videos / month
  • Captions & subtitles
  • 2 revision rounds each
  • 48–72h turnaround
Ask about Starter

Brand / Agency

For campaigns and series

On request

  • Ad cuts & variants
  • Motion graphics package
  • Multi-format delivery
  • Named contact & schedule
Ask about Brand

About

Three years, 550+ cuts, one obsession: the next second.

I started editing my own footage and never really stopped. Three years and more than 550 delivered videos later, I work with creators, coaches and small brands who need a consistent output without handing their voice to someone else.

My process is simple: I read the rushes, find the story that is actually there, then cut for the moment someone would scroll away. Colour and motion come after the story holds — never before.

Working languages: Arabic, French and English. Remote, with overlap hours for Europe and the Gulf.

Premiere ProAfter EffectsDaVinci ResolveAuditionCapCut

Got footage sitting on a hard drive?

Tell me what you are making and when it needs to be live. I reply with a plan, a price and a delivery date.

  • Emailaminebechiri@gmail.com
  • Reply timeWithin 24 hours, Sunday to Friday
  • Based inAlgeria — working with clients remotely

Opens your mail app with the brief filled in.